It is the same guitar in fact that I played on a youtube video and that was featured in a blog post six years ago. It belonged to a collector of MK-related guitars who lives near my place, and when I learned that it was for sale I could not resist. With this blog post I want to focus on the Floyd Rose tremolo on such guitars. I must admit that I had never delved deep into Floyd Rose tremolos and their differences before, but with the arrival of this guitar I had a closer look at it. One striking feature of an original Floyd Rose are the protruding screws on the rear side of the bridge that lock the string ends. I could not remember such long screws on the MK-1 so I had a closer look at some pictures of it again.
Tokai Gibson Copy Information
With an impressive sound when both clean and distorted, this mini humbucker feels well balanced, with a sparkly bite and a tight low-end found on your typical full-sized humbucker. Its best-of-both-worlds tonal output makes this mini humbucker a very versatile pickup, and is ideal for blues playing. Made with an Alnico V magnet and featuring a chrome cover, it fits comfortably into the neck position, and naturally pairs well with an SM1-B in the bridge.
Aug 17, · Dating # to does sound a bit too specific now I think about it. And a ’73 neck date does make the ’72 pickups a bit more credible. All in all, a happy bit of investigating.
Above, the Presto Model A, their top-of-the-line system circa There is a detailed history of the Presto Corp provided at this website, so no need to re-tread those waters. Basically, what Presto offered was a way to make good-sounding LP and 78 recordings that could be played back instantly on any home turntable. Unlike earlier commercial recording technologies, there was no intermediate submaster required.
Presto was able to do this by having designed an aluminum later, glass disc that was coated with a special cellulose-based compound featuring 51 ingredients! At right, the Presto A Electronics package. This was a complete system of microphone preamps, cutting amps, patchbay, and AM radio tuner that was designed to accompany the Model-A pictured above. On a more basic user-level: Nowadays almost all audio control happens electronically; once the room is treated and the microphone carefully placed, our work as recording engineers leaves the realm of physical manipulation and enters a world of electronic control.
The 6 Best Gibson Pickups – Glorious Gibson Tone!
Epiphone Les Paul Epiphone Les Paul Dating back to and once a major rival of Gibson, the Epiphone company and brand were purchased by Gibson’s parent company in Originally the Epiphone models were made in the same factory as the Gibson guitars, by the same craftspeople using the same materials and often with the same features as Gibson models, but manufacturing of most of the Epiphone instruments was switched to Asia sometime around Today, Gibson primarily uses the Epiphone brand as their high value, lower priced overseas-built alternative to their top tier Gibson USA models.
All Epiphone models sold in the United States are subjected to a 15 point inspection process, and are “set up” in the USA by trained Gibson employees at their Nashville facility. Around , Les Paul, a legendary musician and musical electronics and solidbody guitar pioneer, created one of his early solid bodied guitars after-hours in the Epiphone factory out of a 4X4″ piece of wood.
Switch Tips: on guitars with two pickups and a 3-way selector switch, Gibson used an amber-colored bakelite switch tip during the ‘s. Starting in mid, they switched to a much whiter and slightly rounder tip plastic switch tip. Left: to bonnet knob.
I often get asked, how old is my Fender guitar? Most of the time this question can’t be answered specifically. The Fender numbers tell the story of the company over the years. Unfortunately, the serial number placement is sporadic and many ID numbers over lap between years and models. In many instances, there is no exact known date for a specific guitar. That is why I decided to write this article.
Ruff’s Voyeur Monkey Network
Reading pot codes How to read pot codes, and what they mean An early s pot from a Gibson guitar. Once decoded, the writing on the back or sides can be very informative If you’ve been reading articles about dating a vintage guitar, you may well have come across mention of pot codes. The pots, or potentiometers to give their full name, are the variable resistors that control volume and tone. Better quality pots are often stamped with a number of codes; typically part numbers, date of production, manufacturers codes and resistance values.
Many pots don’t carry all of this information, but the better quality guitars produced in America regularly do. So where are these codes?
The Gibson Serial Number Decoder currently supports 6 formats from 4 Factories. For guitars made prior to use the extended search function. This new function will try to match the serial number against older formats, details required for an exact match are listed in yellow.
It is no wonder that Hagstrom guitars have a reputation for easy playability. These Hagstrom single coil pickups are bright and punchy. Listen to the Hagstrom 3 sound clips Hagstrom components were held in high regard; this vibrato unit was also fitted to various Guild electric guitars in the mid s The controls consist a master volume control and six switches: The following three switches: The Hagstrom headstock logo is a decal: Finally two patent numbers: Hagstrom solid bodies were typically made of birch, with a birch neck bolted on via three bolts.
A black plug covers a small hole at the bottom end of the body – this serves no function beyond the manufacturing process. The serial number on vintage Hagstrom guitars is typical stamped into the ‘triangluar’ neckplate. The first three digits in this case give the batch number, the second three give the number within that batch.
Gibson Brands Forums: How do the Les Paul Classic serial numbers work? – Gibson Brands Forums
As a result, the instrument stays in tune better, has improved sustain, and harmonics will seem to jump out of your guitar. The replacement parts mount on your vintage instrument without marring or modification, making it more playable and allowing you to put away and preserve the original guitar hardware. Slothead post allows bridge height adjustment using a flathead screwdriver.
Hand-crafted electric guitar pickups, acoustic guitar pickups, bass pickups and pedals. Helping musicians find their signature sound since
The first Fender solidbody model, the Esquire , lasted in name only from June to October This model name was replaced by the “Broadcaster”, which lasted in name only from the October to January All Broadcasters have truss rods, where many Esquires often have no truss rod. In Gretsch had trademarked the name “BroadKaster” for a line of drums.
After advertising the Broadcaster in music trade papers in February 20, , Gretsch took notice and sent Fender a telegram asking them to change their name. Therefore Fender was forced to drop the name Broadcaster. Starting around February 22, , Fender cut the word “Broadcaster” off of their headstock decals. These models February to summer are known as “NoCasters”. Starting in the summer of , Fender adopted the name “Telecaster” for this model, and started using new decals after all the old clipped decals were used.
Decal attachment was the last assembly step, so NoCasters with a February neck date are seen.
1953 Gibson GA-75w Amplifier
But, with more than 75 years of shipping records in the Gibson books, and dozens of variations on numerical schemes used over the years, serial numbers sometimes do little to shed light on the origin of a mysterious Gibson. With vintage Gibsons selling at auction for as much as half a million dollars, Davidson will sometimes roll up his sleeves and poke around in the ledgers, but only as time allows.
The earliest volumes contain hundreds of yellowed pages covered front and back with rows of handwritten numbers.
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Tweet on Twitter Mention the subject of American acoustic guitars and one of the first names that will undoubtedly pop into your head will be C. A pretty impressive achievement. Bring up the topic of electrics, and Martin is hardly the first name of recall. Most coverage of the Martin brand is focused, quite rightly, on their substantial acoustic achievements. The primary starting point for information about Martin guitars is, of course, Martin Guitars: These pickups were the DeArmond humbuckers with chrome sides and a black center in a trapezoidal hole, large pole pieces along one side and smaller poles along the other.
The D E was a mahogany dreadnought with the neck pickup and a second bridge pickup. The typical Martin pickguard had the front point cut off and a notch in back to make room for the pickups rings. A three-way toggle was mounted on the upper treble bout. Controls included one volume and two tones, with the big plastic knobs. These began with prototype
Dating Guitars – Pot Codes
This resulted in the so-called lawsuit period. During this period, Ibanez produced guitars under the Mann name to avoid authorities in the United States and Canada. The company has produced its own guitar designs ever since. The late s and early s were an important period for the Ibanez brand. Most Ibanez guitars were made by the FujiGen guitar factory in Japan up until the mid- to late s, and from then on Ibanez guitars have also been made in other Asian countries such as Korea, China, and Indonesia.
The complete electronic is all original, the 4 pots are stamped , dating them to 6th week of , the two Gibson P “Soap-Bar” P pickups have the “Gibson-embossed” PU-covers they only featured in The Gibson-branded Bigsby B5 Tremolo also is a factory option and can only be found on instruments made in /
Leeds, UK softwarejanitor said: The black one could likely be an aftermarket replacement, either DiMarzio or Duncan were popular back then because the stock s Fender pickups were usually kind of blah and often not wound very hot. It is also possible it is just a later Fender pickup put in as a replacement if the original bridge pickup failed, but chances are it is an older replacement, as was quite common to do in the s and s.
Anyway, kinda hard to tell, the pots, cap and general soldering and wiring job plus the foil on the back of the pickguard don’t look original for a s Strat. Whatever those pickups are they look like at least decent quality Alnicos so if they sound right and your big concern is not absolute correctness for collectibility then I wouldn’t worry about it too much. The tone sucking die cast zinc saddles were also replaced with stamped steel ones, so obviously someone who knew a little about fixing the deficiencies of CBS era Strats has had their hands on it in the past.
Dating gibson pickups 100 submissive dating
Well known users “With a balanced low-impedance output, you could use long cables without all the problems inherent in unbalanced high-impedance lines. Gibson was keen on having the low-impedance transformer close to the amp, so we made a special cable with a transformer on the other end, which you had to have in order to use it. But if you forgot your cable, you were out of luck—so we added the switch to go from low to high impedance. One position on the Les Paul Bass was meant to sound just like the Precision, and all the other settings were extra choices for the player.
The Triumph sounded so good it was scary; it was the finest bass I knew how to come up with, but the kids of that time were not ready for so many options.
Control Cavity Guitar & Bass Pot reads 4th & 5th Digits are 78 which was the year of this Les Paul. Gibson LP Cavity – Pot reads and dates to
Then from to note overlap the next Gibson humbucker is known as the “T bucker” or “T top”. They are called this because of a “T” that is part of the molding on the front of the two pickup bobbins. These also had the decal with “Patent No 2, , ” still the patent number of Les Paul’s trapeze tailpiece. The only way to see the “T” is to remove the pickup cover. A small change in late patent pickups was white PVC bobbin wires instead of black black was used on pre humbuckers. Also T buckers can use either slot or phillips head screws to hold the bobbins to the base plate.
From to the s they still used the “T bucker” but now they had the correct patent number stamped in the metal bottom plate no decal. When buying used Gibson pickups, many people will buy the “Patent No. This pretty much guarentees you’ll get a “good” pickup at a fair price opposed to buying a PAF pickup with the “Patent Applied For” decal intact, which sell for more money. Sonically the nickel plated covered patent pickups are excellent values, as they are very similar in sound to a real PAF pickup but are much less expensive.
Note if you buy a chrome covered Gibson pickup, it’s a crap shoot as to what’s inside – it could be either a T-bucker or not but chances are good it will be a T-Top. For this reason I would generally avoid chrome covered Gibson humbuckers unless they are really inexpensive , as the odds are against you in hopes of finding a non-Ttop.
Control Cavity Guitar & Bass
If you’re looking for an easy to play guitar, the action doesn’t get any lower than this baby. Excellent value and quality that’s typical of Korea today. This model was only made in one small run so there aren’t many of these around – most of the Harm 3 models feature the cats eye f-hole in a semi-hollow design while this model was a limited edition production model that’s no longer available. It features a solid archtop mahogany body, 22 fret maple set-neck with ebony fretboard and synthetic bone nut, side markers on the side of fretboard only, jumbo frets, flat The setup on this guitar is superb and the tone is warm and rich, very good choice for anything besides metal.
Jan 31, · A guy is trying to sell me a Gibson Custom Shop that neither of us know that much about. (it’s not counterfeit) This instrument is quality. Here’s what we KNOW. -serial number is 7 Has the custom shop stamp on the back.-has a custom shop case with it.
Tweet on Twitter Ca. Among the major players in the American market were the many importers and distributors who enriched the guitar landscape with instruments — usually at the lower ends of the market brought in from other countries, primarily from Europe, Asia, and to a lesser extent, Latin America. The analogy with automobiles is obvious.
Univox was one of the first brands to make copies, and the brand achieved a fair amount of national visibility and distribution. Univox was not, as you might guess, just another isolated Japanese import, but was part of a much larger story of its importer, the Merson company. Unfortunately, not many reference materials are available to document in complete detail, but we can hit some of the highlights, and illuminate a number of relationships along the way.
If you have catalogs, ads or pictures of guitars that can help fill in some of the blanks, please let me know Michael Wright, PO Box , Philadelphia, PA Tempo Merson was a distribution organization founded by a man named Bernie Mersky. At some point, Merson was taken over by Ernie Briefel. The Merson Tempo was an auditorium-sized archtop with a glued-in neck, a harrow center-peaked head which looks almost Kay.
The guitar was finished in a shaded mahogany with a pair of widely separated white lines around the edges. Available source material is hard to see, but these appear not to have any soundholes. The fingerboard was probably rosewood with four dots beginning at the fifth fret. The cabinet was covered in two-tone leatherette.